By Marcus Harton, Esha Sarai
WASHINGTON — Each visitor has a minute to pick just five items to take on their mock-refugee journey. Choices include cards representing water, shoes, a fishing pole, medicine, blankets and other more sentimental items, like family photos.
“Connectivity, identification …” a woman mumbles to herself, adding a cellphone and passport to her collection.
Another woman picks a picture of two animals, saying she would need companions on the journey.
Barbed wire and chain link fences dot the National Mall in Washington, D.C., at the Forced From Home interactive display by Doctors Without Borders. (B. Allen/V
“Are those pets or food?” asks Sarah, the tour guide, as she begins to explain just how difficult the choices can be for people fleeing their homes.
The Forced from Home exhibit on the National Mall near the Washington Monument is a seemingly makeshift collection of tents, barricades, and photos of people fleeing their homes. But the display, sponsored by Doctors Without Borders (MSF), has a serious purpose: giving D.C. residents and tourists a small understanding of what it is like to be a refugee.
“Do you have any idea how many people in the world have been forced from home?” Sarah asks her group.
Some 65 million people are currently fleeing conflict and persecution, according to MSF.
Making hard choices
Many of the tour groups are students on organized visits from their schools. But the groups also include friends and supporters of MSF, D.C. residents, and tourists drawn in after visiting the Washington museums.
Barbed wire and chain link fences dot the National Mall in Washington, D.C., at the Forced From Home interactive display by Doctors Without Borders. (B. Allen/VOA)
At the beginning of the journey, visitors assume the identity of a refugee or displaced person. They learn about the events that force people to leave their homes, including conflicts in Burundi, Mexico, Somalia, and, of course, Syria.
“In 2014, the U.N. stopped counting the number of civilians dead [in Syria],” Sarah tells her group. “They were at 400,000.”
One D.C. resident leaves her stroller at registration and carries her 4-month-old baby through the hour-long tour.
“I thought it would be realistic this way,” she says.
As the “refugees” move from station to station, they have to make choices: Do they pay for their journey with their remaining medicine, water, food or blankets?
Early in the exhibit, visitors are encouraged to sit in a rubber raft, designed to hold seven people. Sixteen people on the tour fit snugly in the raft, while Sarah explained that the boat would carry as many as 60 people across the Mediterranean Sea.
“Many people who take this journey die of asphyxiation,” she says.
The tour continues, showing markets, mosquito nets, and various types of tents. “Refugee,” “asylum seeker” or “internally displaced” is written on the identity card given to each of the visitors. That identification determines what kind of accommodation each person would get.
Bearing witness
Every tour guide has his or her own story. Sarah first deployed to the Central African Republic before working in Gaza and in France, where she’s from. To humanize some of the incomprehensibly large statistics and death tolls, Sarah told a story of some of the challenges she faced, including whether to separate a mother suffering from psychosis from her breastfeeding newborn.
